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Contents • • • • • • • • • • • • • • Biography [ ] Early life [ ] Kitamura was born in, Japan. He dropped out of at age 17 and relocated to, Australia, where he attended a school for visual arts. His first film as director was the short Exit, which he made as his graduation piece at age 19. Career [ ] After graduating, he returned to Japan to establish Napalm Films, his independent production studio. His first feature-length films Heat After Dark and Down to Hell were successful in film festivals, and he soon found his first mainstream success with the.

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The film launched the career of stars and, and brought Kitamura international recognition when it was released on DVD outside Japan in 2004. In 2002, Kitamura directed the short film The Messenger: Requiem for the Dead as part of the project, as well as. In 2003, he directed a feature film adaptation of the, and, a prequel to the popular Japanese. He collaborated with director in the, in which the two challenged one another to produce the best dueling movie with minimal production time and budget, with being Kitamura's contribution. Also in 2003, Kitamura served as producer for the film, the directorial debut of Versus co-writer.

Kitamura directed 2004's, the 28th installment in the renowned franchise. The film was the first of Kitamura's projects to hold its premiere in Hollywood.

In 2006, Kitmura directed LoveDeath, before relocating to. In 2003, he directed the in-game cutscenes for, a remake of the iconic for the. Unlike previous titles in the series, The Twin Snakes was developed by and produced.

The game featured similar mechanics to due to having been made on the same engine. Kitamura's direction of the cutscenes was viewed as controversial, criticism leveled at its -like action tone and unrealistic stunts performed by the characters. Regardless, it went on to receive positive reviews from video game review sites. In 2008, Kitamura made his American filmmaking debut with based on 's short horror story of the same name.

The film (starring,, and ) was distributed by, and released directly to the on August 1, 2008. Despite receiving positive reviews from critics, the film was a box office failure. Kitamura's next directorial venture did not come until 2012 with, starring. It was shown as part of the Midnight Madness portion of the, and received a limited theatrical release on May 10, 2013. While promoting No One Lives, Kitamura announced that he was working on his 'comeback' film in Japan, stating in an interview, 'It’s a completely different role than what I’ve done before. It’s also not a bloody movie, not a horror movie. It’s a big action movie.'

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In November, 2013, the project was revealed to be, a modern adaptation of the iconic. The film was released in Japan on August 30, 2014. Kitamura's 2017 thriller film,, was announced to premiere at Toronto International Film Festival in September 2017. The film follows a group of people on a road trip who are trapped on a country road by a figure with a sniper rifle. Future projects [ ] Kitamura is set to direct the Black Friday 3D, based on a screenplay by Joe Knetter. He is also attached to direct Marble City, a revenge film written by Tom Sjolund, as well as Gun Monkeys, from a screenplay by based on the novel. [ ] In May 2013, Kitamura confirmed that he has written the script for, and that would likely reprise his role from the original film.

In September 2015, it was announced that Kitamura will direct the supernatural thriller 'Vessels' for Ubiquity Studios, set to be filmed in early 2016. In November 2015, revealed that Kitamura (among other directors) will direct a segment in the upcoming anthology horror film 'Masters of Horror'. Personal life [ ] Kitamura's favorite film is (1974), and his favourite is. He has expressed admiration for fellow Japanese director, asserting that the film is 'the best Japanese movie ever made.' He has stated that his 'dream project' would be to direct an installment in the film franchise. Kitamura speaks fluent English, being able to conduct interviews without the need of a translator.